Beth Thomass Comments
I wrote “Phoning It In” and “Here’s Where You” in
the voice that comes
most naturally to me and is the most fun for me. I think these are
closest to showing the voice in my head. I like these stories where you
have this narrator who is so unreliable, who is flip, irreverent, dark,
but beyond that there is something more, something almost hopeful.
They’re in a really bad way and they know it, but the reader can see the
way out.
I wrote “On the Road to Kirkuk” after I talked to a friend of mine
who
is in Iraq. She told me about the crows who land at sunset and face due
west, and other things that didn’t make it quite so literally into my
story.
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