"-//W3C//DTD HTML 4.01 Transitional//EN"> Frigg | Spring/Summer 2025 | talking about a revolution revolution | Milla van der Have
artwork for Milla van der Have's poem talking about a revolution revolution

talking about a revolution revolution
Milla van der Have

somewhere

a poet preaches paradise
and I fall again

call it
a tightrope

call it
too many moving parts

call it
watching a stranger pass
by your window

and know it is you, it
has always been you

              ❖

they called me leaf girl
for no reason other than
this resistance

said I was twig and they
were roots and therefore
different—even though

we had the same celluloid skin

              ❖

it starts in a room
morning welds itself
into the soft childhood shapes

of summer—of octopus
rodent pigeon—and the world
is still cross-eyed

and relentlessly yours

              ❖

in school we learned
to fold in on ourselves
and become still

little origami children
while all the paper birds flutter
I find one that blazes like a fire

call it my flaming heart

              ❖

somewhere
a poet says praise

even though their eyes quietly turn
into ash

              ❖

this time of year
identity presents itself
a narrow ledge

moving against
what will not hold you
and holds you
nonetheless

as if you’re falling
with your rescued wings
still tied to your back

              ❖

somewhere a poet
hands out ashes

everything threatens
everything these days

              ❖

again a room is a river

where we stroke a wild current
into submission

they made me into a cataract
watched me rage myself
into a sharp white downward

plunge

             ❖

yet all the animal names have breath
in them and sheer costumes
of light

              ❖

they called me leaf girl
for too often I was made
of tar and the depletion
of trees

I lost myself on stairs
in portraits and in strangely
stretched bodies of water

I turned nocturnal
breaking furniture
in bite-sized birds

mannequins

never as feral as they could be

              ❖

and what is resistance anyway
but the beauty of attention
of what escapes our
glittering touch

any revolution is manmade
turns our hands into mothered
restless things

              ❖

so tonight the poet
holds a fistful
of ashes

calls it sleigh-born
history

tries to make it
into what it was

before
their fingers

lose their touch


Milla van der Have’s Comments

This poem for me draws on the experience of being an outsider and how you can sometimes feel excluded even by what you consider your own people (in this case, a poetry festival) and how sometimes being part of a group seems to come with imposed beliefs in politics and exclusion if you have a different opinion.

Table of Contents


Frigg: A Magazine of Fiction and Poetry | Issue 64 | Spring/Summer 2025